3/16/2023 0 Comments El macomboJust people who would want to help get the club back up and running.Īnd they were willing to work with me and help bring bands in that were touring bands. But because I have great connections with people, I have great connections with promoters, record labels. It was just perseverance and it was a huge room to fill. So when I started off, it was it was a bit of a long haul to try and get it back on its feet again because it had been closed for awhile.Īnd I did. So based on that, you know, I had two schools of musicians: I'm never playing there again or oh yeah, I need to play there. So they were actually unhappy that he’d originally bought it and was turning it into a dance club. Musicians can have loyalty to people, and they didn't have loyalty to that owner at that time. I was there for 11 years, but it was an interesting time there. So Ted had introduced him to me and he said, you know, he'd like to work with me. The owner that had it at the time, the new owner was trying to develop a dance club upstairs, meaning learning modern dance, not a club dance situation.īut he realized because there was uproar over the closing of the El Mo that he had to keep music happening there. But anyway, the El Mo was under construction. The last club before the El Mo was Ted’s Wrecking Yard. And that was generally how I helped build up clubs and make them the place to go. Things changed and I’d be moving on to another club. So if one club ended up closing, not from my issues it's hard to keep club in business and sometimes, you know, the owners don't have the financial backing to do that, but it was something that might happen. I became the booker of choice in Toronto. And I’ve had a history with many Canadian acts. Yvonne Matsell: Hi, my name is Yvonne Matsell and I've been a booker of numerous clubs in Toronto. The contest’s prize was to see Canadian rock band April Wine at the El Mocambo and an unknown group called the Cockroaches (the Rolling Stones in disguise). A contest organized by Toronto’s local CHUM-FM radio asked fans to write in about what they would do to see the Rolling Stones live. To prevent thousands turning up to see the legendary band perform, the band and manager came up with a ruse to limit the audience to a few hundred. Lead singer Mick Jagger and band manager Peter Rudge chose the small, smoky El Mocambo to record a Stones’ live album over two consecutive nights, March 4 and 5, 1977. Although the band was no stranger to performing in front of hundreds of thousands, the Stones wanted their next live album to be a smaller, more intimate experience. In 1977, British rock band the Rolling Stones were interested in recording a new live album. A chance encounter with fate in the 1970s launched the El Mocambo to legendary status among Toronto venues.
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